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This is a astonishing low-budget, shadowy and white film starring a large cast of actors: Sidney Poitier, Shelley Winters, Wallace Ford, and then newcomer, Elizabeth Hartman. It was filmed in 1965, at the height of the civil rights movement, and was then considerable for its budding inter-racial romance. While this aspect may seem rather tame today, at the time the movie was filmed, this was quiet a somewhat controversial theme in many parts of America.
Elizabeth Hartman, in an exquisitely poignant performance for which she was nominated for an Academy Award, plays the allotment of Selina D’Arcy, an eighteen year feeble blind girl who lives an isolated and impoverished, almost Dickensian, existence. She lives with her abusive mother, Rose-Ann (Shelley Winters), who moonlights as a prostitute, and her drunken, though somewhat well-meaning, grandfather, whom she calls Ole Pa (Wallace Ford) . Uneducated, having never gone to school, Selina spends her time stringing beads to bag some money for the family, cleaning up after her mother and grandfather, and being at the receiving extinguish of constant physical abuse and verbal invectives heaped upon her by her mother. Hers is, indeed, a draconian existence.
One day, she prevails upon her grandfather to plunge her off in the park, where she proceeds to sit under a tree, stringing her beads. There, she meets a worthy, well-educated business man, Gordon Ralphe (Sidney Poitier), who takes an interest in her and her expeditiously appreciation for any kindness done to her. She responds to Gordon’s kindness as if she were a flower turning its face to the sun for continued warmth. He, in turn, is touched by her involved interest in even the most mundane of matters. They continue to meet under that tree as often as possible, and a relationship develops.
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Under Gordon’s tutelage, Selina begins to blossom. Some of her disclosures to him about her life beget him with terror and a determination to do something constructive about it. While he goes about trying to improve her quality of life, their relationship deepens, despite the warnings of Gordon’s brother. After all, Selina is white, uneducated, and comes from a trashy, dysfunctional family, while Gordon is shaded, well-educated, and from a top-notch family.
Selina, clear that what she feels is treasure, is less restrained than Gordon about her feelings, though their budding romance culminates in nothing more than a chaste kiss. When Rose-Ann finds out whom Selina has been meeting, however, matters approach to a head, and Gordon comes to the rescue. A original day knight in shimmering armor, however, Gordon does the selfless thing in the raze.
This is a amazing movie in which the two main protagonists, Gordon and Selina, believe each other by the stutter of their respective character and not by the color of their skin. Though controversial at the time, this film may seem a dinky dated by today’s standards. Yet, some of its themes are as unique today as when it was filmed. The thought of selflessness and putting the needs of another before one’s fill remains timeless. This is a plan, however, rarely seen in today’s films.
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Although this was Ms. Hartman’s debut film, she deservedly received an Academy Award nomination for her sensitive portrayal of Selina. Unfortunately, her career never really took off after this film the arrangement one would have expected after a performance of this caliber. She appeared only in a few principal films, such as, “The Group”, “You’re a Huge Boy Now”, and “Beguiled”, before descending into virtual obscurity. I was saddened to hear that she committed suicide in the slow nineteen eighties at the age of forty-five, a tragic figure in the raze, leaving leisurely this stunning performance for posterity.
The key to the success of this film is its simplicity, including that it’s in unlit and white. There is nothing to distract you from being enfolded in its beauty, and so your emotional involvement in characters, setting and station is complete. It is a perfect period share belonging to 1965, but its appeal is timeless. It’s personal appealto me was as strong as if I were dreaming, and had the role of the blind girl! I dangled in emotional suspense until the very last scene, which shouldn’t be revealed to those who haven’t seen it! As an allegory of the civil rights movement, it spins the account of outrageous injustice that could’ve continued were it not for one individual intervening for apt (as in a shrimp number of dauntless people’s protests bringing an slay to the darkness of Jim Crow injustice) . This is also a extraordinary modern-day Cinderella myth, complete with a prince (Poitier) who breaks the spell of the horrible mother (Winters) . However the film is viewed the quality shines! The most valuable point in this film is the juxtaposition of characters, in which Poitier’s character represents the convey of reason and responsibility, a ground-breaking role for a dim man in 1965.
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